At the beginning of “Ghosted,” an elegant but unsatisfying drama of cross-cultural lesbian love triangles, a German artist, Sophie (Inga Busch), unveils her latest piece: a video installation devoted to the memory of her dead lover Ai-ling (Huan-Ru Ke).
Sophie isn’t much of an artist — her work consists of obsessive, bland portraiture — but she makes for a striking protagonist. Bearing the most imposing bone structure this side of Sandra Bernhard and an irresistible air of butch, Germanic mystery, she is a serious lady-killer, though not, as we discover through a series of flashbacks, the person responsible for Ai-ling’s death.

Directed by Monika Treut from a screenplay she wrote with Astrid Ströher, “Ghosted” unfolds the story of this tragic affair through the queries of Mei-li (Ting-Ting Hu), a journalist keen to profile Sophie.

Cutting between past and present, Hamburg and Taipei, romance and regret, the movie generates an aura of thoughtful storytelling without actually possessing any notable thoughts. “Ghosted” offers a refreshingly matter-of-fact view of lesbian relationships — although ones marked by schematic tragedy and intimations of the supernatural — and depicts its cross-cultural milieu with maturity and tact.

Yet the film doesn’t do much with its novel setting, and resolves on a note of exotic Asian mysticism that undermines its ambition to sidestep cliché.

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